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Best lens for Press Photography
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HelenParticipant
Could I ask those of you who are experienced photographers what in your professional opinion would be the best lens to use for press/pr work.
During the past week or so I have being doing a documentary module for college and was covering the election and the count in Limerick. I found it difficult to get good shots – I was told that I was too polite! I know I just wasn’t quick enough to get myself into the right positions. I know that this would come with experience.
However, I did notice every press photographer differed with their lenses. I had a 70-200 on one camera and a 24-70 on the other. (Canon user) but I would be interested to learn from experienced photographers. However,I don’t think I would be cut out for Press work :)
MartinParticipantI use a 24-70 2.8 and a 70-200 2.8 for any documentary type stuff I do at country fairs, dog shows or what ever… They are two great lenses, I use them with two full frame bodies. Nothing wrong with your equipment at all…. Most important part of a camera is the person that is using it
I’m no expert at this sort of thing but you do have to get stuck in. You need to keep your eyes open and be prepared to move quickly. You shouldn’t ever be rude, being polite is fine but don’t be shy.
At the start this type of photography can be hard and a bit scary. The more you do it the easier it gets though. Watch what others are doing and how they approach people. Keep trying and don’t be afraid to walk up to people to ask can you take a picture either…
M
brownieParticipantHi ,I’m doing the press photography for my local paper for about 14 months now…working full-time at it but the lens I
use most and especially at last Saturdays count is the Canon 16-35 f2.8…its out on its own and combine it with the 70-200 f2.8
and you have a great combination. I thought about getting the 24-70 f2.8 but when you are in the middle of a scrum of people you
definately need a wider lens to make sure you get the shot. The count was really hard to get shots at but things like that do’nt happen
every day in press photography…. I would still try to get a 16-35 if you intend keepimg going…best of luck anyway.Noel Browne.
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